Redemption and (False) American Idols
There's a movement afoot to support a youngster named Sanjaya Malakar, one of the remaining contestants on Fox's ever-popular American Idol program. Mr. Malakar is 17 years old, and while he's a good-natured fellow, his singing talent is best described as dubious. But he keeps returning week after week thanks to the call-in voters that select the finalists. This continues to baffle the show's producers. "Simon" the acerbic British judge has even threatened to quit if Sanjaya somehow wins the whole samosa, so to speak.
(No, I don't watch the show. But the golden retriever and I are the only males in a house full of females, some of whom are pre-adolescents. As a result we must suffer the indignity of witnessing this bogus TV contest any time we stroll past the entertainment wing of the estate on certain evenings.)
At first my conservative sensibilities were offended: Isn't this ostensibly a singing contest? Are we talking here about another variation of the endless celebration of mediocrity as espoused by the "everyone-is-special" Left? But I can't muster myself to believe that Idol is, after all, anything more than a too-slick marketing effort designed to efficiently squeeze as much profit as possible from the phenomena of pop superstars, with little regard to durable talent.
This is not a show that would be equipped to discover the next Bob Dylan, Leonard Cohen, or Patsy Cline. The best work always come from outside the machine - and the "arts" (for lack of a better word) have a delightful and confounding way of defying the dynamics of markets. Don't get me wrong, I'm a big fan of fierce and mostly unregulated competition, trade, and commerce - but when it comes to songs, paintings, movies - they are always more ephemeral and lower quality when pushed from the corporations downward, instead of created and shared upwards by networks of passionate individuals.
In this case, with a nod to themes of Easter, let Sanjaya's ascent on this ridiculous TV show be the touchstone of our cultural redemption.